{"id":8811,"date":"2023-06-29T08:27:28","date_gmt":"2023-06-29T11:27:28","guid":{"rendered":"https:\/\/ppgartes.eba.ufmg.br\/?p=8811"},"modified":"2023-06-29T08:27:28","modified_gmt":"2023-06-29T11:27:28","slug":"convite-para-defesa-de-doutorado-de-jose-schneedorf","status":"publish","type":"post","link":"https:\/\/ppgartes.eba.ufmg.br\/?p=8811","title":{"rendered":"Convite para Defesa de Doutorado de Jos\u00e9 Schneedorf"},"content":{"rendered":"
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Os dias contados \u2013 <\/strong><\/b>o artista terminal, a pandemia oitentista e o an\u00fancio da contemporaneidade<\/span><\/strong><\/span><\/span><\/span><\/p>\n

ORIENTADORA: <\/b><\/span><\/span><\/span>DR\u00aa. <\/span><\/span><\/span><\/span>MARIA <\/span><\/span><\/span><\/span>ANGELICA MELENDI<\/span><\/span><\/span><\/span><\/p>\n

Resumo: <\/b><\/span><\/span><\/span>Durante e <\/span><\/span><\/span><\/span><\/span><\/span>a partir da<\/span><\/span><\/span><\/span><\/span><\/span> d\u00e9cada de 1980, <\/span><\/span><\/span><\/span><\/span><\/span>um <\/span><\/span><\/span><\/span><\/span><\/span>corpo<\/span><\/span><\/span><\/span><\/span><\/span> significativo<\/span><\/span><\/span><\/span><\/span><\/span>d<\/span><\/span><\/span><\/span><\/span><\/span>e obras de arte<\/span><\/span><\/span><\/span><\/span><\/span>foi <\/span><\/span><\/span><\/span><\/span><\/span>produzid<\/span><\/span><\/span><\/span><\/span><\/span>o<\/span><\/span><\/span><\/span><\/span><\/span>sob<\/span><\/span><\/span><\/span><\/span><\/span>impacto<\/span><\/span><\/span><\/span><\/span><\/span> d<\/span><\/span><\/span><\/span><\/span><\/span>a <\/span><\/span><\/span><\/span><\/span><\/span>crise<\/span><\/span><\/span><\/span><\/span><\/span> de HIV\/AIDS, <\/span><\/span><\/span><\/span><\/span><\/span>tendo a <\/span><\/span><\/span><\/span><\/span><\/span>dissemin<\/span><\/span><\/span><\/span><\/span><\/span>a\u00e7\u00e3o <\/span><\/span><\/span><\/span><\/span><\/span>daquela pandemia<\/span><\/span><\/span><\/span><\/span><\/span> como <\/span><\/span><\/span><\/span><\/span><\/span>motriz e <\/span><\/span><\/span><\/span><\/span><\/span>e<\/span><\/span><\/span><\/span><\/span><\/span>nunciado, posto <\/span><\/span><\/span><\/span><\/span><\/span>o grande percentual<\/span><\/span><\/span><\/span><\/span><\/span>de <\/span><\/span><\/span><\/span><\/span><\/span>artistas<\/span><\/span><\/span><\/span><\/span><\/span>surpreendidos pel<\/span><\/span><\/span><\/span><\/span><\/span>o diagn\u00f3stico, <\/span><\/span><\/span><\/span><\/span><\/span>na primeira <\/span><\/span><\/span><\/span><\/span><\/span>onda<\/span><\/span><\/span><\/span><\/span><\/span>.<\/span><\/span><\/span><\/span><\/span><\/span>A <\/span><\/span><\/span><\/span><\/span><\/span>persist\u00eancia <\/span><\/span><\/span><\/span><\/span><\/span>cria<\/span><\/span><\/span><\/span><\/span><\/span>dora, nessas circunst\u00e2ncias,<\/span><\/span><\/span><\/span><\/span><\/span>projeta <\/span><\/span><\/span><\/span><\/span><\/span>para a contemporaneidade<\/span><\/span><\/span><\/span><\/span><\/span>modelos<\/span><\/span><\/span><\/span><\/span><\/span>originais<\/span><\/span><\/span><\/span><\/span><\/span> de discurso <\/span><\/span><\/span><\/span><\/span><\/span>visual<\/span><\/span><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span><\/span><\/span>inscritos na<\/span><\/span><\/span><\/span><\/span><\/span>s<\/span><\/span><\/span><\/span><\/span><\/span> primeira<\/span><\/span><\/span><\/span><\/span><\/span>s<\/span><\/span><\/span><\/span><\/span><\/span> pessoa<\/span><\/span><\/span><\/span><\/span><\/span>s<\/span><\/span><\/span><\/span><\/span><\/span> do singular ou do plural, <\/span><\/span><\/span><\/span><\/span><\/span>e<\/span><\/span><\/span><\/span><\/span><\/span>emulados por senti<\/span><\/span><\/span><\/span><\/span><\/span>dos<\/span><\/span><\/span><\/span><\/span><\/span> de urg\u00eancia e de legado, <\/span><\/span><\/span><\/span><\/span><\/span>testament\u00e1rios al\u00e9m de testemunhais<\/span><\/span><\/span><\/span><\/span><\/span>. A re<\/span><\/span><\/span><\/span><\/span><\/span>a\u00e7\u00e3o<\/span><\/span><\/span><\/span><\/span><\/span>imediata <\/span><\/span><\/span><\/span><\/span><\/span>da arte <\/span><\/span><\/span><\/span><\/span><\/span>ao v\u00edrus <\/span><\/span><\/span><\/span><\/span><\/span>que a sequestra<\/span><\/span><\/span><\/span><\/span><\/span> se <\/span><\/span><\/span><\/span><\/span><\/span>divide: <\/span><\/span><\/span><\/span><\/span><\/span>de um lado,<\/span><\/span><\/span><\/span><\/span><\/span>elevam-se <\/span><\/span><\/span><\/span><\/span><\/span>in\u00e9ditas produ\u00e7\u00f5es<\/span><\/span><\/span><\/span><\/span><\/span>com sentido de luto<\/span><\/span><\/span><\/span><\/span><\/span> de si<\/span><\/span><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span><\/span><\/span>habilita<\/span><\/span><\/span><\/span><\/span><\/span>ndo <\/span><\/span><\/span><\/span><\/span><\/span>como<\/span><\/span><\/span><\/span><\/span><\/span> matrizes produtivas plenas a <\/span><\/span><\/span><\/span><\/span><\/span>despedida, o afeto e a<\/span><\/span><\/span><\/span><\/span><\/span> autobiografia <\/span><\/span><\/span><\/span><\/span><\/span>pl\u00e1stica<\/span><\/span><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span><\/span><\/span>com<\/span><\/span><\/span><\/span><\/span><\/span> a autofic\u00e7\u00e3o a reboque. De outro, <\/span><\/span><\/span><\/span><\/span><\/span>renova<\/span><\/span><\/span><\/span><\/span><\/span>m-se<\/span><\/span><\/span><\/span><\/span><\/span>articula\u00e7\u00f5es<\/span><\/span><\/span><\/span><\/span><\/span>coletivas<\/span><\/span><\/span><\/span><\/span><\/span> de <\/span><\/span><\/span><\/span><\/span><\/span>produ\u00e7\u00e3o, <\/span><\/span><\/span><\/span><\/span><\/span>inser\u00e7\u00e3o<\/span><\/span><\/span><\/span><\/span><\/span> e <\/span><\/span><\/span><\/span><\/span><\/span>circula\u00e7\u00e3o <\/span><\/span><\/span><\/span><\/span><\/span>exposi<\/span><\/span><\/span><\/span><\/span><\/span>tiva<\/span><\/span><\/span><\/span><\/span><\/span>, direcionadas ao autossustento comunal, \u00e0 aten\u00e7\u00e3o p\u00fablica e \u00e0 resist\u00eancia <\/span><\/span><\/span><\/span><\/span><\/span>aos agentes reguladores d<\/span><\/span><\/span><\/span><\/span><\/span>e<\/span><\/span><\/span><\/span><\/span><\/span> s<\/span><\/span><\/span><\/span><\/span><\/span>ubsist\u00eancias<\/span><\/span><\/span><\/span><\/span><\/span> poss\u00edveis<\/span><\/span><\/span><\/span><\/span><\/span>. <\/span><\/span><\/span><\/span><\/span><\/span>Tomados<\/span><\/span><\/span><\/span><\/span><\/span> ambos os <\/span><\/span><\/span><\/span><\/span><\/span>gatilhos prospectivos<\/span><\/span><\/span><\/span><\/span><\/span>,<\/span><\/span><\/span><\/span><\/span><\/span>e<\/span><\/span><\/span><\/span><\/span><\/span> s<\/span><\/span><\/span><\/span><\/span><\/span>ua<\/span><\/span><\/span><\/span><\/span><\/span>s<\/span><\/span><\/span><\/span><\/span><\/span> co<\/span><\/span><\/span><\/span><\/span><\/span>mbina<\/span><\/span><\/span><\/span><\/span><\/span>\u00e7<\/span><\/span><\/span><\/span><\/span><\/span>\u00f5es<\/span><\/span><\/span><\/span><\/span><\/span>, <\/span><\/span><\/span><\/span><\/span><\/span>a<\/span><\/span><\/span><\/span><\/span><\/span> argumenta\u00e7\u00e3o <\/span><\/span><\/span><\/span><\/span><\/span>se constr<\/span><\/span><\/span><\/span><\/span><\/span>uir\u00e1<\/span><\/span><\/span><\/span><\/span><\/span> nas<\/span><\/span><\/span><\/span><\/span><\/span> rela\u00e7\u00f5es entre <\/span><\/span><\/span><\/span><\/span><\/span>as <\/span><\/span><\/span><\/span><\/span><\/span>obras e <\/span><\/span><\/span><\/span><\/span><\/span>os <\/span><\/span><\/span><\/span><\/span><\/span>relatos das viv\u00eancias dos artistas, <\/span><\/span><\/span><\/span><\/span><\/span>e destes com <\/span><\/span><\/span><\/span><\/span><\/span>o<\/span><\/span><\/span><\/span><\/span><\/span> per\u00edodo hist\u00f3rico, <\/span><\/span><\/span><\/span><\/span><\/span>que nos lega<\/span><\/span><\/span><\/span><\/span><\/span>.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

PALAVRAS-CHAVE: <\/b>Relato autoral; Publica<\/span><\/span><\/span>\u00e7\u00e3<\/span><\/span><\/span>o de artista; Resist<\/span><\/span><\/span>\u00ea<\/span><\/span><\/span>ncia art<\/span><\/span><\/span>\u00ed<\/span><\/span><\/span>stica, Necropol<\/span><\/span><\/span>\u00ed<\/span><\/span><\/span>tica; Pandemias; AIDS, <\/span><\/span><\/span>T<\/span><\/span><\/span>erritorialidade<\/span><\/span><\/span>s<\/span><\/span><\/span>; <\/span><\/span><\/span>Sistemas virais; Luto; <\/span><\/span><\/span>Intera<\/span><\/span><\/span>\u00e7\u00f5es afetivas<\/span><\/span><\/span>.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

BANCA EXAMINADORA: <\/b>Dr. <\/span><\/span><\/span>Rodrigo Freitas<\/span><\/span><\/span>; Dr. <\/span>Ricardo Ayres<\/span>; <\/span>Dr. Fabio Morais; Dr. Sebasti\u00e3o Miguel; <\/span><\/span>Dr. <\/span><\/span><\/span>Adolfo Cifuentes <\/span><\/span><\/span>\u2013 <\/span><\/span><\/span>Suplente; Dr. <\/span>Gladston Costa<\/span> \u2013 Suplente.<\/span><\/span><\/span><\/span><\/p>\n

DATA:<\/b> 30\/06\/2023
HOR\u00c1RIO:<\/b> 14:30 hrs. (online)<\/span><\/span><\/span><\/p>\n

LINK DE ACESSO:\u00a0https:\/\/us02web.zoom.us\/j\/88601507875<\/a><\/b>
<\/span><\/span><\/span><\/p>\n

ID DA REUNI\u00c3O<\/b>:\u00a0\u00a0886 0150 7875<\/span><\/span><\/span><\/p>\n

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Jos\u00e9 Schneedorf<\/b><\/span><\/span><\/span><\/p>\n

Doutorando em Artes
Programa de P\u00f3s Gradua\u00e7\u00e3o em Artes
Escola de Belas Artes \u2013 UFMG<\/span><\/span><\/span><\/p>\n

Professor\u00a0<\/span><\/span><\/span><\/span><\/span><\/span>na Escola Guignard \/ UEMG<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Os dias contados \u2013 o artista terminal, a pandemia oitentista e o an\u00fancio da contemporaneidade ORIENTADORA: DR\u00aa. MARIA ANGELICA MELENDI Resumo: Durante e a partir da d\u00e9cada de 1980, um corpo significativode obras de artefoi produzidosobimpacto da crise de HIV\/AIDS, tendo a dissemina\u00e7\u00e3o daquela pandemia como motriz e enunciado, posto o grande percentualde artistassurpreendidos pelo…<\/p>\n","protected":false},"author":1,"featured_media":8810,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8811","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sem-categoria"],"_links":{"self":[{"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/8811","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8811"}],"version-history":[{"count":1,"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/8811\/revisions"}],"predecessor-version":[{"id":8812,"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/posts\/8811\/revisions\/8812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=\/wp\/v2\/media\/8810"}],"wp:attachment":[{"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8811"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8811"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ppgartes.eba.ufmg.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8811"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}